ADULT PAINS

My man Andy Carter is having his first solo art show this weekend, and Friday is the opening night party. Everyone should come down to Fice and check it out. The address on that flier is actually wrong, but it's next to Este Pizza's downtown location at 160 East 200 South.

Andy's always been kind of a night owl, so while everyone else is sleeping, he's wandering the streets, taking pictures of the homeless people he meets, and asking them to tell him something about themselves. He's turned some of those photos into paintings and others into gel medium transfers, and they'll be hanging on the walls of the store for the rest of the month.

Eventually, these paintings and some of the photos he's taken will be collected into a book, with excerpts of the conversation he's had with each person. This is the first step, so come out and support.

Oh, Andy is also the guy behind Pangea Speed, which builds amazing motorcycles and custom bike parts. If you have a motorcycle, I'm sure you know all about him and his work. This is just a little extension of that.

I'll see you there.

YOUR WEBSITE AS YOUR PERSONAL MIXTAPE

Last year, when I started my new career as a desk jockey at boring corporate institutions, my first "challenge" was to write a blog post. Easy enough, I figured. The goal was for the three of us on the copywriting team to write and publish a piece about the Internet. Broad enough topic, right? One person wrote about keywords, one wrote about customer reach and I took a page from HIGH FIDELITY and wrote about turning your website into a kick-ass mixtape.

The goal was to see who got the most page views over the course of a month and the winner got $500 (well, $377 after taxes. God damn government). I used every trick I knew and called in every favor I could and eventually won. I posted a HIGH FIDELITY meme on Tumblr with a link to the piece embedded in the image and I still get "reblog" and "like" notifications about it to this day. It has almost 4,000 notes and is definitely the most popular thing I've ever posted. It's pretty stupid what works on that site.

It's been a year since the contest ended, so I figured I'd post my entry up here since I no longer work for that company, and that company doesn't really exist anymore anyway. If you helped me out by sharing it, I still appreciate it, and to show my thanks, I compiled all the songs that I listed into a cool playlist at the bottom. Using a Spotify embed flies against everything I wrote about in this piece, but it's just so much easier, right?

Enjoy!

Your Website as Your Personal Mixtape

The Internet is a weird, wild place. There are so many different avenues and alleyways to explore that you’ll never see it all. But getting there is half the fun, right?

When you have your own website—whether it’s a site for a small business, your writing, or just your personal blog—it can be hard to get noticed and it won’t just happen overnight. Building up a website requires building up a web presence. You need to be active all over the place and have your hands in a few different social pies for your website to grow. But beyond that, first and foremost, your site content has to be better than the rest.

In order for someone to choose your site out the endless abyss that is the Internet, you need to have a voice of your own. The content has to be interesting and informative, sure, but you need to stick out from the pack. You need to be a unique voice that rises to the surface.

The best way to do that is to approach your blog or website the same way you’d put together a mixtape.

You remember those, right?

Back before Spotify and YouTube playlists were shared and available at the click of a mouse, you had to physically hand someone a cassette tape. A tape that you put together through hard work of pouring through every song in your collection and figuring out how to delicately express your own feelings through someone else’s poetry. It meant sitting in front of your stereo, listening to the radio, waiting for that one perfect song to come back on. You’d have a blank tape in the deck, cued up and ready to start as soon as you heard the opening notes. Then you’d spend the rest of the night timing the start of each song just right so as not to lose valuable space and making the most of those 30 minutes on each side.

It took a lot more effort than a simple drag and drop.

That’s kind of what building a website is like, too.

Getting that perfect website takes a lot of careful planning and lot of work goes into it. It’s a lot like crafting a mixtape, only you’re not giving it to one special person. Instead, you’re trying to separate yourself from, literally, millions of others. You’re trying to make your website that special thing that people want more of.

In order to do this, it’s always helpful to think back to one of the best movies (and books before it) ever made about music—HIGH FIDELITY.

In the movie, the venerable hero, Rob, played by John Cusack, spends a lot of time making mixtapes for the girls that he likes. He waxes intellectual about song choices and Top 5 lists and eventually reveals the ever-important rules.

“The making of a great compilation tape, like breaking up, is hard to do and takes ages longer than it might seem.” 

The concept is pretty simple, but you do have to put some thought into it. If you apply these same rules to your website, you’ll have a pretty great place that people are going to want to visit. You’ve got to get them there, make them stick around, and then ask them to spend a little bit of their day with you.

“You gotta kick off with a killer. Grab their attention.” 

This same formula has to be applied to websites and blogs. You get one chance to hook them before they hit that ‘back’ button and go looking for something else. It doesn’t necessarily have to be controversial or anything like that, but you need to have something at the top of the page that gets people to stop. They clicked the link and your site loaded; now you have to get them to stay there. That means you need to have an interesting headline or a unique idea that will pique someone’s curiosity and encourage them to read on. Your personality should be on full display from the first line of that site.

Suggested tracks: “All My Life” by Foo Fighters, “Bed For The Scraping” by Fugazi, “The Great Pan is Dead” by Cold Cave.

“Then you gotta take it up a notch…” 

Your biggest goal when building a website is to make it a place that people want to visit. You want them to remember it, bookmark it and keep coming back to it. The best way to do that is to have not only consistent content, but consistently good content. Once they’ve lingered on the page for a minute, reading that first headline, they need to be given a reason to stay a bit longer. That’s why headlines and first paragraphs are so important—those are the first things that people will see and read. You need to keep them engaged.

 It’s a little bit like when you get sucked into a STORAGE WARS marathon on TV. They run the credits over the final scene and dive right in to the next episode without a single break. It gets you every single time (or me, anyway). That’s what your website (and mixtape) need to master—get them in, but more importantly, keep them there.

Suggested tracks: “Trusty Chords” by Hot Water Music, “Born to Run” by Bruce Springsteen, “Gimmie Shelter” by The Rolling Stones.

 “…then you’ve gotta cool it off a notch.” 

This is about the time that people are going to get comfortable with your site and start looking around a little more in depth. It’s at about this spot that you can put in an old favorite or in the case of a blog, a recurring topic or a recurring feature. Maybe you have a certain topic that you spotlight once a week or so. This is about where it should go. You can’t try to constantly one-up yourself, because that’s when you start to overwhelm people. You need to let them settle in and get into a rhythm.

Suggested tracks: “Karma Police” by Radiohead, “Disintegration” by The Cure, “Avoiding Catatonic Surrender” by Tim Barry. 

You can’t get complacent though. Just because someone chose your website over the vast millions of others out there, it doesn’t mean they’re going to keep coming back just out of habit. This is where it gets tricky. You want to be able to attract new readers and new visitors as much as possible, but you don’t want to alienate the ones you’ve already got. This is the point on your blog/site/mixtape where you need to have confidence that your words and ideas are enough to keep people interested. You can write with confidence, and still take a few risks here and there. You’ve kept them around and coming back, they must agree with your taste so. At this point, you can afford to play around a little bit.

Suggested tracks: “Young Americans” by David Bowie, “Funny Little Frog” by Belle & Sebastian, “Rill Rill” by Sleigh Bells. 

“There are a lot of rules.” 

Since blogs and websites tend to be endless, there’s no need to build to that final closing track that brings the house down. But once you get into a rhythm of regular posting, recurring features and returning visitors, it will feel just like that, a rhythm. You’ll feel the ebb and flow of what people like, what they’re commenting on, what kind of interaction you’re getting and all that good stuff that keeps a site thriving. Once you’re there, it’ll start to feel a lot like your perfect mixtape will never have to end. As long as you keep posting, keeping things interesting and inviting a dialogue—whether through comments or emails—you’ll never need to end. But in the spirit of the topic, you need a closer. You need something that’s going to stick with them. It’s got to be a song that hits them right in the chest, makes them remember why they were so happy to get the tape from you in the first place.

Suggested tracks: “Love Spreads” by The Stone Roses, “Sweet Avenue” by Jets to Brazil, “Girls Like You” by The Naked and Famous, or the classic “Don’t You (Forget About Me)” by Simple Minds.

There you have it. That’s how you build your online profile and get people to decide that you and your site are worthy enough to be added to their bookmarks bar.

I’ve also given you a pretty great playlist to get you through your day. I can’t decorate it with a ballpoint pen, but this is close enough.

You’re welcome.

THE MOST ELECTRIFYING MEN IN SPORTS ENTERTAINMENT

We'll just start at the top and get the truth out in the open: I still kind of love professional wrestling. I still make WWE jokes all the time, I still have a Stone Cold Steve Austin bandanna and I still follow it a little bit. Not to the extent that I used to, but enough to know the broad strokes of what's happening and who's who.

I just never actually watch it.

When I was a kid, I watched it all the time. Only, by "all the time" I mean "once a week on Saturday night or early Sunday morning." Back then, it was the WWF and there was a weekly show that aired sometime on Saturday or Sunday. It basically gave everyone the gist of what was going on, who was feuding with who, who held the title and when they were putting it on the line next. My favorite wrestler was, of course, Hulk Hogan. I loved everything about him.

At one point, when I was about 7 or 8, I had a tank top that I wore around the house (and only around the house, because my dad thought they were trashy and wouldn't let me wear it out in public). It got a little tear in it one day, and I wanted to rip it off the way Hogan did before a match so badly. But I had to ask permission first. I couldn't just run around ruining clothes—even ones my dad hated.

My mom finally said that it was okay for me to destroy it, but I couldn't. I physically couldn't do it. My arms were too weak and I could't tear the ribbing that ran across the front. The Hulkster and his 24" pythons were much stronger than I thought. After a few minutes of trying, my mom made a little cut in the front so it would rip easier and assured me that's probably what Hulk had to do, too.

A few years later, one of the story lines had Hulk Hogan feuding with Earthquake and they were coming to the Salt Palace for a stretcher match. My brother and I wanted to go more than anything, but neither of my parents had any interest in going, and they were also a little bit weary of sending a 10-year-old and a 7-year-old to the Salt Palace. A few weeks before the WWF event, AC/DC had played there and three people died when the crowd rushed the stage and they were trampled underneath. Eventually, we found another way to go and my cousin Robbie stepped up to take us. We just had to promise to stay in our seats the whole time.

It took a little bit of digging, but I was able to find out the whole card for that night:

WWF @ Salt Palace, Salt Lake City, UT - February 7, 1991

Sam Houston vs. The Barbarian

The Legion of Doom vs. Mr. Fuji and the Orient Express (handicap match)

Tito Santana vs. Haku

WWF Tag Team Champions Bret Hart & Jim Neidhart vs. Hercules & Paul Roma

Kerry Von Erich vs. Million Dollar Man Ted DiBiase

Jake "The Snake" Roberts vs. Rick "The Model" Martel

Hulk Hogan vs. Earthquake

I have no idea who won any of those matches, but I have to assume that Hulk won because I vaguely remember him strutting around as Earthquake was wheeled off on a (presumably reinforced) stretcher. That's about the last time I can remember caring about professional wrestling until about 1999. The WWF rolled out Thursday Night Smackdown on UPN then had a recap show that covered both RAW and Smackdown that started about midnight on Saturdays. The Rock, Stone Cold Steve Austin and Vince McMahon as the bad guy had me intrigued, so I started paying attention again.

The matches themselves were never the part that interested me. It was always the story lines and the performances that drew me in, and those guys were much better than the guys I saw in the 90's.

When The Rock and Stone Cold moved on I pretty much tuned out. I was only kind of paying attention when McMahon bought the rival WCW and merged them, but was so lost that it didn't matter. When CM Punk started showing up, I hated him for using Straight Edge as his gimmick, but then I actually learned a bit about him, began to like and respect the guy, and started paying attention again. At that point though, I could just get all the best stuff in YouTube clips and Bleacher Report recaps a few days afterwards. Again, it was never about the matches, but always about the stuff that happened elsewhere.

A few months back, I updated my Apple TV and there was a little icon with the WWE logo on it. I'd heard that the company was developing their own network, but I thought it was going to take the place of some other fledgling channel buried deep inside an upper-tier basic cable package that I had no intention of upgrading to. Then I found out that it was going to be a Netflix/HBOGo type thing with a monthly fee. I did some digging and found out that for $10 a month, you get everything that the WWE has ever produced and you get access to all 12 of their Pay-Per-View matches every year. It was insane how much content they were putting on there.

I was amazed, excited and badly wanted to shell out the ten bucks every four weeks that it would cost me to have access to the WWE library from the past 30 years. But I also wanted to have a shot at dating an actual woman again sometime soon, so I decided against it. Then I found out that they were offering a one-week free trial just to test the waters and to get people interested, so I did that instead. (editor's note: It's actually like a 6 day free trial, because I signed up on a Friday afternoon and had to cancel by the following Thursday or I'd be locked in for six months.)

When I got home from work that night, I turned on the TV and launched the app. Then I was fucking lost. Being a brand new product, things were still a little wonky. The search function is atrocious and while there are some individual matches from the mid-week programs, there's nothing from the Pay-Per-Views. To get any of those matches, you have to know which event it happened at, where it was on the card and then fast-forward (no chapter markings! It was like a goddamn video tape with much better quality) to the appropriate time.

Having no idea where to start, I used Google to search for notable matches in WWE history, then had to figure out how to locate them within the app. It took kind of a long time. I watched Mankind and The Undertaker in a Buried Alive match, the WCW Bash at the Beach match where Hulk Hogan turned heel and the NWO was formed, the Tables, Ladders and Chairs match that the Internet loves, the Montreal Screwjob and the match where CM Punk won the title and walked out just before his WWE contract expired.

All great stuff, but again, I don't care about any of it. I want the off screen stuff. I want the behind-the-scenes action. I want to pay attention to the man behind the curtain. I want to see how the sausage gets made.

After McMahon screwed Bret Hart out of the title, he hid backstage. The Undertaker was so mad that he went to McMahon's dressing room and demanded that he apologize to Hart. I want to see that. I want to see what Shawn Michaels had to say when Hart confronted him.

There was the segment of RAW when CM Punk aired all of his dirty laundry with Vince and was cut off, but I couldn't find that in any of CM Punk's listings. I was able to find it very easily on YouTube though. And that's free.

The Buried Alive match between The Undertaker and Mankind had some great moments, but I wanted to know more about the logistics of it than anything else. I wanted to know all the little details about how intricately they planned those types of matches.

Maybe things will get better as time goes on, but as of the few hours I spent with it, the matches had no context. The reality is that it would be fairly difficult to include three decades of overlapping story lines, but that's what I want, damn it.

All of those things aside, I got my free trial's worth. I spent a few hours watching things the first night and maybe a half an hour at a time here and there the rest of the week. Mostly, I just wandered through the singles matches remembering wrestlers that I hadn't thought about in years. I started wondering what happened to the also-rans that never quite made it to Icon status the way Hogan and The Rock did. You know, wrestlers like:

William Regal - Currently broadcasting or something like that for the WWE's minor league/developmental program.
Kurt Angle - Climbed all the way to the top of the WWE payroll but quit in 2006 because he was being forced to work while injured. He's been wrestling for TNA (the only real competition to WWE) ever since.
The Hardy Boyz - Jeff and Matt split up and have been making the rounds in TNA and the smaller circuit shows like OMEGA.
Eric Bischoff - Worked for TNA for a while before being let go sometime in 2013.

Lita - She was the "manager" for the Hardyz, held the women's championship for a while, but retired in 2006. Afterwards, she formed a punk band called "The Luchagors" and has been kind of floating around ever since.
Trish Stratus - Also held the women's championship belt for a bit before retiring in 2006. She's been working as a trainer and opened a yoga studio in Toronto.
Kevin Nash - He was "Super Shredder" in TEENAGE MUTANT NINJA TURTLES 2, and Tarzan in MAGIC MIKE. He's still employed by WWE.
Test - Overdosed on oxycodone in 2009, and his autopsy showed that he had advanced Alzheimer's usually found in professional boxers.

The list goes on and on. Staying at the top for a long time is hard to do and the only ones that have come out of it pretty much in tact are The Rock, HHH, Hulk Hogan (to an extent), Stone Cold Steve Austin and Shawn Michaels. It's strange that out of everyone I grew up watching in the 80's, Hogan is the only one still in the spotlight. Granted, it's mostly been for his shitty reality TV show, his messy public divorce, and his sex tape, but he's still managed to right the ship when things start to go south. Everyone else is either dead or still scraping by and performing at shows in YMCA auditoriums, battling addiction problems and living in their car. It's really kind of sad.

I look back on that card from the Salt Palace show I saw in 1991 and it's depressing to see where everyone is now.

Sam Houston - Wrestled sporadically for a few years but never found his footing. In 2005, he was sentenced to 10 years in prison for repeated DUI offenses. He only served a fraction of the time and was last known to be wrestling in the independent circuit in Louisiana.
The Barbarian - Only under contract in the WWE for three years, then bounced around for a while. Since 2001, he's been wrestling part time in the independent circuit and running a construction company in North Carolina.
Legion of Doom - They were one of the greatest Tag Teams in wrestling and lasted quite a while. Hawk died in 2003, and Animal still appears on the live shows every once in a while.
Mr. Fuji and the Orient Express - Mr. Fuji retired in 1996, which was two years after The Orient Express split up and disappeared.
Tito Santana - He was one of the mainstays of the old WWF guard, wrestling from 1979 to 1993. He's been doing independent shows ever since, even though he's 63 years old.
Haku - Still doing independent shows.
Bret Hart - Hart left the WWE after the Montreal Screwjob, but eventually came back. He's currently signed to the WWE Legends program (which is essentially a way to keep beloved wrestlers of the past on a payroll of some sort. McMahon probably got sick of all the negative press coming his way when one of the stars of yesteryear spiraled out of control in some way) and appears every once in a while.
Jim Neidhart - After he left the WWE, he's mostly been working for TNA. There's not much on him since 2009. He's not dead though.
Hercules - Died of heart disease in his sleep in 2004.
Paul Roma - Tried his hand at boxing after his wrestling career stalled out, but that didn't last long. He now runs a wrestling training school in Connecticut.
Kerry Von Erich - He was involved in a motorcycle accident in 1986 that badly damaged his right foot. Doctors tried to repair it, but Von Erich put too much pressure on it too soon after the operation and made it worse, which resulted in its amputation. Somehow, Von Erich was able to keep the fact that he had a prosthetic foot—going as far as to shower with his boots on—a secret and kept wrestling. He became addicted to pain killers, his marriage fell apart and he eventually killed himself following in the footsteps of two of his brothers.
Million Dollar Man Ted DiBiase - Still alive, signed to the WWE Legends program and occasionally appears on shows. He has two sons that have been signed to WWE at some point. One is now doing the independent circuit and the other retired due to knee problems.
Jake "The Snake" Roberts - Was featured in the ultra-depressing documentary BEYOND THE MAT, gained too much weight and moved in with Diamond Dallas Page, whom Roberts trained and mentored during the early years of Page's career. Page got Roberts in much better shape through Yoga and helped him with his recovery from addiction. Roberts was diagnosed with muscular cancer below his knees, but has been fighting it. He was inducted into the WWE Hall of Fame this year.
Rick "The Model" Martel - Still alive, but not really doing anything that revolves around wrestling.
Earthquake - Started out as a sumo wrestler, switched to the WWE and had a pretty great career. He died of bladder cancer in 2006.

The WWE app wasn't enough for me to go back to, and I've still never watched a live Pay-Per-View event. I probably never will. But I'll always have a bit of a soft spot for the squared circle, the Hell in a Cell, the Tables, Ladders and Chairs matches and everything else that goes on in the Vince McMahon empire.

I just don't want to actually watch any of it.

SALT LAKE COMIC CON: FAN X - POSTGAME

A few weeks late, but I've heard a bunch of people say things like "better late than never" over the years, so here we are. That's not always true, by the way, because sometimes it just gets way more awkward if you try to pick up a thread after it's been on the ground for too long. Believe me, I know.

But whatever. This is my blog and I'll pick up threads for things that happened weeks ago without even skipping a beat. That's how we roll here.

And since that's the case, I'm going to give you the rundown of Salt Lake Comic Con: Fan Experience from a few weeks ago.

Last September, Salt Lake held its first Comic Con and it was a huge success. So much so, that they decided to do it twice this year. They called the first event something different, of course, but it was basically the same thing. Things got a little bit crowded at the Salt Palace Convention Center last time around, but that's mostly because no one knew what to expect so they only used half the available space. This time, they opened the entire thing and it was enormous.

The final numbers haven't been announced yet, but the rumor is that Fan X (what they're calling the April event) was the third largest comic convention in the country—right behind New York Comic Con and San Diego Comic Con. That's pretty damn impressive.

Like last fall, Casey, Spidey and I took a gamble on a booth to sell some of our unwanted comics and it worked out really well. We sold a whole bunch of stuff and immediately started making plans for the next event. This time around, we had things pretty well organized (well, Spidey and I did, anyway. Casey waited until the Saturday before the convention to even start, which meant we were helping him bag, board and sort his comics the whole weekend.) and ready to go. We rented a truck Wednesday afternoon and got everything loaded into the convention center that evening. It was a full three days this time (instead of two and a half), so we had to be there pretty early the next day to get everything set up and ready to go.

From the minute the doors opened we were busy. There were a bunch of people that had bought stuff from us last year that came back for more and were really excited to see us. That made us feel pretty good and the whole weekend went really well from start to finish.

It was really exhausting, but a lot of fun and I'm excited to get back to it this fall. I solidified our spot for Salt Lake Comic Con proper a couple of days ago, and now we just need to get an earlier start on getting things together. Luckily, Spidey let us store everything at his house so it's all in one spot and we can organize things a little easier.

We're also splitting a bigger space with Casey's toy store, The Tutoring Toy, so that we'll actually have enough room for all of our books. Now we've just got to start planning out how to make the most of the space we're getting.

If you're planning on attending Salt Lake Comic Con in September, buy your passes ASAP and come visit Grudge City Comics/Old News Records/The Tutoring Toy in booth 1701.

I promise to give better updates as we get closer to it. Probably. Well, maybe.

Oh, and that tank top in the photo below? Yeah, that's available if you want to buy it. Just head over to my store and grab it.

TULIP IS BACK IN STOCK

Last year I turned Old News Records into a publishing company and released our first novel. It's written by the very talented Mike Farfel, and we just got it back in stock.

I wrote a bit about it over here, and Jay Meehan of the Park Record wrote about it in his column last fall.

It's a really great debut novel and I urge all of you to check it out. It's for sale in my shop right now, so get a copy while you have the chance. I'm looking into getting it in a few local bookstores, so if you'd rather wait for that to happen, I'm all for it. But, I'm just saying, it's right there, ready for you to read.

"Bogged down by the existential angst of the American Dream, Tulip has long since given up on any search for meaning—until a voice he's never heard sneaks into his head.

The small miracles of life, paired with the new voice, sets him on a path of moral awakenings and trials by the Devil's hand. Through it all, Tulip seeks love, fights back hoards of entitled masses and finds a new hope and respect for humanity.

At the same time, Tulip must decide if the voice in his head is real or if reality is just falling apart."

THEY'RE REALLY DOING IT

Well that escalated quickly.

Back in January (which is like 6 posts ago, I know, and I'm sorry. I've been busy) I wrote about the Satanic Temple and their plans to erect a giant Baphomet statue in front of the Oklahoma state capitol. The reasoning is that since Oklahoma is kind of violating that whole "separation of church and state" thing by having a 10 Commandments monument, the other side of the coin should be represented as well.

The Satanic Temple launched an Indie GoGo fund to raise money, and hit their goal fairly easily. I pretty much assumed that would be the last we heard of it, but that's thankfully not the case and they've been hard at work actually making the damn thing.

It turns out that Oklahoma state representative Mike Ritze paid for the 10 Commandments statue with his own money and donated it to the state house. Since it was a gift, it was deemed okay to place it on state grounds. Following that explanation, the Satanic Temple has submitted the proper forms and applications and is waiting to hear back. All the while, they've hired a New York-based artist trained in classic sculptures to start making a bust that they'll be able to cast in bronze and place as soon as they get the word.

As noted before, The Church of Satan (probably pissed that they didn't think of it first) had a few issues with the proposed statue, and it looks like some of those issues have been addressed. Vice followed up on the project and got a nice little behind the scenes look at the progress of the 7-foot statue and some great comments from Lucien Greaves—who used to be listed as the leader of the group, but is now just listed as a spokesman. I could probably find out one way or the other, but I've got other things to get back to.

Most notably, Greaves spoke about what might happen to the statue once it's placed. There are bound to be a lot of unhappy people in Oklahoma if the statue is put up and vandalism is highly likely. Greaves said he "wouldn’t expect these outraged and nearly insensible reactionaries to actually know how to assault a bronze monument without severely hurting themselves in the process."

Still, they're not taking any chances and instead building a mold so that if one is damaged, they can just pop out another. "Depending on our insurance policy, we may be able to cast two from the destruction of one, expediting our arrival to the next battleground."

Oklahoma's been staging some great battles in newspaper headlines and inside execution chambers this week, so I'm sure shedding blood on the steps of their statehouse over a statue wouldn't be outside their wheelhouse.

So yeah, the Satanic Temple isn't fucking around here. You should head over to Vice to read their whole piece. I lifted a couple of quotes and these photos from them, so the least you can do is actually go check out their article. And you'll probably get lost in their archives like I do every time. It's fun though. They've got good stuff.