There's not a whole lot to say that hasn't already been said here.
Harold Ramis was one of my comedy idols. He's not on the same level as Steve Martin or David Letterman, and probably wouldn't end up on my "Mount Rushmore" (since that's been the phrase of choice lately), but the man was definitely up there.
He had a gift and a voice that lent to some amazing work over the years. Not everything he touched was gold (I'll probably never watch YEAR ZERO), but a lot of it was great.
Look at the list of stuff he wrote:
SCTV - Second City TV was a Canadian sketch show where Ramis got his start along with John Candy, Eugene Levy, Rick Moranis, Catherine O'Hara and Martin Short. That's a hell of a team.
From there, his resume just includes one seminal comedy after another with ANIMAL HOUSE, MEATBALLS, CADDYSHACK, STRIPES, GHOSTBUSTERS and ANALYZE THIS. There were a few stinkers here and there, but Jesus. Those are the movies he wrote from scratch.
Then we move on to his directing resume and, if you're not blown away by this, then I think you're in the wrong place.
CADDYSHACK, NATIONAL LAMPOON'S VACATION, GROUNDHOG DAY, MULTIPLICITY, ANALYZE THIS (and THAT), THE ICE HARVEST (a really, really underrated movie, by the way) and a bunch of episodes of THE OFFICE when it was in its prime.
Sure, a few more clunkers in that category too, but come on!
As an actor, he appeared in a lot of those, but he also appeared in a bunch more where I'm sure he had a hand in some of the material, even if he didn't get the credit.
Harold Ramis, along with Bill Murray and John Hughes were responsible for my favorite movies from the time I was born through 1995. That's just a fact.
There aren't a whole lot of celebrities that I'll miss, but Harold Ramis is definitely one of them.
Egon Spengler: There's something very important I forgot to tell you.
Peter Venkman: What?
Spengler: Don't cross the streams.
Venkman: Why?
Spengler: It would be bad.
Venkman: I'm fuzzy on the whole good/bad thing. What do you mean, "bad"?
Spengler: Try to imagine all life as you know it stopping instantaneously and every molecule in your body exploding at the speed of light.
Ray Stantz: Total protonic reversal.
Venkman: Right. That's bad. Okay. All right. Important safety tip. Thanks, Egon.
Peter Venkman: What?
Spengler: Don't cross the streams.
Venkman: Why?
Spengler: It would be bad.
Venkman: I'm fuzzy on the whole good/bad thing. What do you mean, "bad"?
Spengler: Try to imagine all life as you know it stopping instantaneously and every molecule in your body exploding at the speed of light.
Ray Stantz: Total protonic reversal.
Venkman: Right. That's bad. Okay. All right. Important safety tip. Thanks, Egon.
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